Dieselpunk + Steampunk Culture

Waterworld is a 1995 post-apocalyptic science fiction film. The film was directed by Kevin Reynolds, co-written by Peter Rader and David Twohy based on Rader's original 1986 screenplay and stars Kevin Costner, who also produced it. It was distributed by Universal Pictures.

After the doomsday event of flooding caused by global warming melting the ice caps and end of civilization, the ramshackle remnants of the human race who survived the deluge now live in large floating constructs made up of various rusty junk and grimy debris found floating on the ocean; these watery settlements are called atolls after the similar type of island which no longer exist. The dwellers of atolls are a nautical society, albeit a gritty, primitive and superstitious one, with a patriarchal structure.

The atollers refer to anybody outside their atoll as "outwaters", and are very suspicious of them. On occasion, however, drifters are permitted entry in to the atolls, but only temporarily, and only if they can show the guards and/or enforcers they have something of value to trade with, such as food, plants, seeds, cigarettes, paper, dirt, and "hydro" (fresh water).

Due to the extreme limitation of living space in the settlements, and also the sparse resources, the atoll elders limit the number of citizens to a steady and constant number, thus avoiding the issue of overpopulation. Since there is no ground to bury the dead in, the dead are placed in a yellow brine pool, whereupon they are "recycled". Occasionally, drifters are asked to mate with the women of the atolls to expand on the shallow gene pool of the inhabitants, in an attempt to avoid inbreeding and also a population bottleneck situation, meaning they are an exogamous society. However, the only time women are permitted to try for a child is when a citizen of the atoll dies, thus keeping the population number steady.

Pirates are known commonly as "smokers" because of the smoke from oil-power machines, such as personal water craft and aeroplanes, which they make use of. They also apply great cultural significance to the smoking of cigarettes, even to the point of giving their children cigarettes, and trade in a brand of cigarettes referred to as "Black Death".

The base of the smokers is the rusted old carcass of an oil tanker, referred to as the Deez, which is revealed to be the Exxon Valdez in a brief shot. Although the tanker no longer has any functional engines, the smokers still have a large supply of crude oil aboard the tanker, and apparently a small oil refinery, as they are able to refine the crude oil into gasoline to power the jet skis and planes they make use of. The Deacon also mentions refining but states that they are running out of "the black stuff" and the "go-juice" rapidly, and that they only have "two lunars" (or months) left of it. The smokers have also hoarded large quantities of firearms, heavy artillery, ammunition, spam, paper, tobacco, cigarettes and whiskey aboard the tanker. The smokers move the tanker by use of dozens of oars that stick out of the barnacle-encrusted hull.

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Overall the feel of the movie is very similar to Mad Max, and several aspects of it, just like in Max Max, remind me of Fallout 3 and its slavers, raiders and overall chaotic mayhem. Since their whole technology is still based on diesel, I think it's a good example of a dystopian dieselpunk story.

Here's the trailer: http://www.youtube.com/watch?v=oEp382HIisE

What'ya think?

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For me, the -punk is especially important when applied to historical genres like Steampunk and Dieselpunk. With Punk not only do we open it up to individual expression but it's like Tome includes on the Home page in that we merge it with today's sensibilities to create something new. Plus, Punk allows us for stuff like alternate histories, science fiction, horror, fantasy, etc...


In my opinion, the Punk in Dieselpunk is very important.

If I ever meet Jeter, I´m going to punch him in the face.
Uh, I'm sorry but you lost me, Atterton. I don't follow.
Jeter is the one who coined the term steampunk, leaving us with all this annoying etymological baggage.
Oh, I see. Well, while I understand your view, which I respect, I still stand by my opinion on the need for the word.

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